2, No. It is our pleasure to be your virtual concert hall and bring you this performance. This symphony is seventy-four minutes long and consists of four movements.. 2 in under a 30 minutes.SUBSCRIBE!! Although much of Schindler's information is distrusted by classical music scholars, this is a first-hand account unlike any other that any scholar reports. It is impossible to "pedal" the electricity flow evenly. The third movement is also in sonata form and is back in the home key of D minor. Beethoven conveyed this in a story platform, in my opinion, that creates unique imageries every time a spectator or critic were to listens to, It was composed in the year of 1804, but due to having several other projects he had to postpone his writing. Theme B is then played: Thieleman measure 35-marked Andante moderato 02:49. Bars 91-95: Bars 92-95 form a passage leading to the repetition of the exposition, and upon its reiteration into the development. Okay, I'll cut to the chase. 17 in D minor, Op. although piano sonatas have been written with one movement (Scarlatti, Scriabin), two movements (Beethoven), five (Brahms' Third Piano Sonata) or even more movements. riding out the remainder of the storm knowing that he has won the battle. "Tempest" (a title not given by Beethoven - he himself titled only one of his Schindler, Playing the Piano is Easy and Doesn't Hurt! Tchaikovsky presents the theme of strife with agitation and angry rhythms in woodwind along with racing scales in strings. Sonata Op. 1) - Piano solo, Sonata No. I don't. The stormy final movement (C minor), in sonata form, is the weightiest of the three, reflecting an experiment of Beethoven's (also carried out in the companion sonata, Opus 27, No. Schindler's "inventions." However, much of Schindler's information However, this movement comes to an abrupt end. Teach music and songwriting in ways that keep students engaged, excited, and inspired. It's tough imo but it's not much harder than Pathetique 1st mvt. The Largo sections return throughout the The Four Serious Songs examines the question of our mortality, and our immortality. Piano Sonata No. Haydns piece starts out loudly with a quick timpani strike accompanied by the strings, followed by an almost somber sounding melody in C-minor. The texture at the beginning of the first movement was monophonic. 102, No. Discover an intuitive and deep understanding of how music works. At the risk of beingexcessively picky,I ask you to consider: Is this astaccato? The theme then just picks up where it left off, until a 2nd such interjection comes along. 10, No. According to the Theorytab database, it is the 4th most popular key among Minor keys and the 10th most popular among all keys. 2, Seven Variations on Bei Mannern, welche Liebe fuhlen from Die Zauberflote by Mozart, Sonata in D Major, Op. The second theme of Haydns first movement is much more cheerful sounding as it is in C-major. 27 (2nd Movement: Nicht zu geschwind) (Op. The To the end of introduction, the music dialogue between winds and strings is very intense, makes you feel something serious is happening. The theme sixteenth notes were formed by A.F.E.D. Score. The second introduces playfulness and fun. That was an extremely clear description, wasnt it? Although Beethoven may have not intentionally tried, This masterpiece is played by an instrumental ensemble, more specifically, an orchestra and has a violin solo. 8 "Pathtique" (1st Movement - Op. The second subject, instead of being in the key of the relative major, is in the key of the dominant minor (see the second subject in the first movement); it begins with a figure of two notes, Bar 44 (see Bars 1-32 commentary). The first subject re-appears, Bars 351-382. with the sole exception of the Hammerklavier, 7 in A Major (Op. Bach: A question of Fingering. And in the fourth, Beethoven reveals to us the discovery of joy as the divine spark of creativity. But it still took a lot of work to get those tremolos in the first movement and the third movement up to tempo. (3rd Movement: Allegro, ma non troppo - Presto) (Op. Beethoven Violion Concerto Mvt 3 Analysis. Language links are at the top of the page across from the title. 24 (2nd Movement: Allegro vivace) (Op. 20 in G major, Op. The refrain undergoes phrase expansion to build tension for the climax of the movement at measure 381, a fortissimo falling chromatic scale. 17 (1st Movement: Largo - Allegro) (Op. Learn how to solve technical problems in Bach, Mozart, Beethoven, Chopin and all the other composers you want to play. One hears uneven stitching. 2#3 by Rachmaninoff, I have learned the Pathetique 1st movement in the past, working on Schumann's Papillons and Chopin's C# minor waltz. Throughout this theme he shifts the motive to different pitches and instruments. Score. The Tempest - Op.31 No.1 Ludwig van Beethoven Preview : Like 2. 2 in D Minor, Quote from: arensky on October 22, 2007, 07:12:57 PM, Quote from: eric9 on October 22, 2007, 04:48:19 PM, Quote from: rhapsody4 on October 25, 2007, 05:55:59 PM, Quote from: zheer on October 25, 2007, 07:15:49 PM. Mr. Downes' description of the message was very true and I agree 100 percent on his commentary. The awkwardness of the writing is in fact a perfect foil for the constant but unhurried motion: the two together create a unique, highly charged atmosphere that the tempo alone would not have. movements, which capture the dichotomy of emotions so characteristic of I will explain and analyze in detail melodies and chords slowly, section by section and part by part separately. The "tempest" 1) - Piano solo, Sonata No. 23 "Appassionata" (complete) (Op.57 No.23) - Piano solo, Sonata No. Sonata) or even more The tempo of this specific song is allegro and involves four movements. The first theme of this movement is in C minor. This resemble the war between two family, and also the sword fight to me. I would rank this movement as one of my favorites of all the Beethoven sonata movements and would love to learn it. It is usually referred to as The Tempest (or Der Sturm in his native German), but the sonata was not given this title by Beethoven, or indeed referred to as such during his lifetime. This movement was totally different with the second movement, and makes a confrontation with the first movement. it has something most rarea double Theme and Variations. 8 pages. is widely regarded as inaccurate by classical music scholars. The second section of the first subject has a very elaborate variation in the bass, Bars 50-59. His symphony No.9 is his final symphony and one of his greatest masterpieces. The third is sublimely beautiful. 8 The mood was mournful to me at the beginning and I had no idea what to expect. One is by Furtwangler, who took the movement slowly enough that the running 16th notes that develop later would still sing beautifully. Learn to hear chords by ear. The "Tempest" (a title not given by Beethoven - he himself titled only one of his sonatas, the "Hammerklavier", Op. It has some kinds of romantic emotion, but Beethoven described it by a sorrowful way. Beethoven: Piano Sonata No.17 in D minor "Tempest" Analysis - Tonic Chord Reply #4 on: October 23, 2007, 04:40:44 PM, " Nothing ends nicely, that's why it ends" - Tom Cruise -, Reply #5 on: October 24, 2007, 05:00:33 PM. It is at first flowing with emotion and then reaching a climax, before moving into an extended development section which mainly focuses on the opening figure of the movement, reaching a climax at measures 169173. movements. 17 in D minor, Op. Bars 63-90:Coda. 2III. During the time of the symphonys premiere, Vienna was still distressed due to being taken over by Napoleon in 1805 and 1809 and yearning for victory; the audience at the premiere seemed to have loved the energy and beauty of the piece. If we don't wish to come the end of our lives, and wonder what it was really all about, then we have to ask what is it that gives our lives meaning, that lives on after we are gone? It remains one of his well-known piano sonatas, Train with real songs. "Tempest" 3rd movement - Piano Street It will do you no harm to think of Miranda at bars 3138 of the slow movement but people who want to identify Ariel and Caliban and the castaways, good and villainous, may as well confine their attention to the exploits of Scarlet Pimpernel when the Eroica or the C minor Symphony is being played.". Chopin's left hand I've written before about hands. This musical form is unusual among Beethoven sonatas to that date. Bars 32-44:Connecting episode. 2, "The Tempest", International Music Score Library Project, Recording of this Sonata by Serg van Gennip, Recording of this sonata by Paavali Jumppanen, No. The Coda is formed from previous material, the passage, Bars 80-89, being taken form Bars 38-43, and the following passage, Bars 89-98, from the first subject. 2nd Movement: Harmonic and Emotional Stability at Las, 2nd Movement: Evoking Voices and Instruments, 2nd Movement: Exploring the Pianos Extreme Registers, 3rd Movement: A Slow-Moving Perpetual Motion. Beethoven - Sonata Op. 31 No. 17 - 3rd Movement - "Tempest" - Musescore.com After a short introduction, theme A, in Bb major, begins at: Thieleman Measure 3. The hardest thing is the perpetual motion aspect, you don't get a break from the 16th note motion. The connecting episode commences with part of what was originally the concluding section of the first subject, Bars 16-19, it then modulates to B flat major; at Bars 243-246 the initial figure appears in the bass in the key of B flat minor. Please use a recent version of Chrome, Firefox, Safari, Edge, or Opera instead. And in case you don't believe me regarding the articulation, look at measures nine to thirteen, where Beethoven changes his mind. The second song, in effect, says, "Don't just think about yourself. Published by FRC Music. playing between the "storm" and all to brief moments of peacefulness. At Bars 193-196 it is thought that the limited compass of the instrument in Beethovens time prevented a literal transposition of the passage, Bars 59-62. 1 (3rd Movement: Allegretto) (Op. Beethoven composed this movement use lots of sixteenth notes, from one part to others. Beethoven places a dot on these notes. 31, n2 "La Tempestad"1st Movement (Largo, Allegro)2nd Movement (Adagio)3rd Movement (Allegretto)Work: Piano. D Minor. facing the whole of Fate's fury, then the last movement is his wild joy of Beethovens creative genius at times, leaves the listener with an emotional cliffhanger, not knowing where the passage might lead. The piece consists of three movements and takes approximately twenty-five minutes to perform: Each of the movements is in sonata form, though the second lacks a substantial development section. And so it is here. Beethoven's music. On Chopin's Prelude No. ), the pizzicati lead us back to Bb major, and a time signature of 12/8. Playlist. The first movement is usually composed in . Newbie; Posts: 13 "Tempest" 3rd movement. 31 No. By Wolfgang Classical Arranged by Transcribed and Sonata No. 17 in d minor, Op. 31 No. 2, "Tempest" | Spencer Myer Mozart (1756-1791). 16 in G Major, Op. In all, I believe that this composition serves its purpose of creating mood and is also very delightful to listen, Ludvig van Beethoven no doubt is one of the greatest pianist and composers to date. Here the texture became polyphonic. The last twelve bars consist of nothing but harmony of the tonic chord. The finale is beginning with the melody of flute and English horn, accompany by string., The first movement, Allegro, ma non tanto, from Beethovens Sonata, opened with the cello resting on one note. this title was not given by the composer. When the mood was not lively it became somber. Piano Sonata No. 21 (Beethoven) - Wikipedia The parallel passage in the recapitulation suggests that given the choice, Mozart might not have done this, but nevertheless, it adds a poignant and vulnerable note to the phrase that, to my ears at least, heightens its power. Moving on to the 3rd movement, here is another movement of great yearning, scope, and ambition, which in spite of all that, is in no way as revolutionary as the first movement was. 31, No. Beethoven 1770-1827 the third movement of Beethoven's Sonata Op. But if you really like it go ahead! A recitative of four bars, Bars 159-162, gives place to a passage of four bars in F sharp minor, Bars 163-166 (enharmonic modulation, Bars 162-163), repeated (Bars 167-170) in G minor, and imitated, Bars 171-175, ending upon dominant harmony. It is the essence of order, and leads to all that is good, just and beautiful, of which it is the invisible, but nevertheless dazzling, passionate, and eternal form., A student inquires about fingering choices in. The first one is another step up. Pacific NW. The movement concludes with a coda comprised of a powerful increase in volume and emphasis with a return to the opening theme as basses join in.. 19 in G minor and No. 32 (1st Movement) (Op. Beethoven, Ludwig van - Sonata No. 17, Tempest Opus 31, No. 2 - 3rd (MUSIC) When the bass comes on the downbeat, and provides the root of the chord (MUSIC), the character changes instantly and dramatically. The sonata is often referred to as "The Tempest" or "Der Themes emerge, but do not seem to be in conflict as in other symphonies, there is a lack of noticeable tension. Andante) as interpreted by Vkingur lafsson, Piano Sonata No. Designed and built by Hooktheory in California. I would rank this movement as one of my favorites of all the Beethoven sonata movements and would love to learn it. (MUSIC) I can barely do it at that much-too-slow tempo. Instead, it is released, and in its place the 2nd sixteenth of the bar IS sustained. Piano Sonata No 17 ''Tempest'' - 3rd Movement is written in the key of D Minor. one movement (Scarlatti, Sonate No. 17, "Tempest" 2nd Movement Sheet music for Piano (Solo (Brahms' Third Piano The prominent 2 - 3rd movement) - Piano solo, Sonata No. The outer movements are in the usual sonata form while the middle of the work. In this movement you can hear horns, some woodwind instruments and some string instruments. Bars 175-197:Second Subject in D minor (tonic). Create beats, songs, and musical snippets with built-in music theory, melody guides, and intelligent chord suggestions. The second movement is in the key of B flat major-a subtle foreshadowing, like Sonata Op. . The timbre of the cello as it began in a lower register was warm and rich, the tempo starting rather slow. The instruments involved are string instruments (violin being the predominant). 11 in f minor, Op. 1) - Piano solo, Sonata No. 13) - Piano solo, Sonata No. The name comes from a reference to a personal conversation with Beethoven by his associate Anton Schindler in which Schindler reports that Beethoven suggested, in passing response to his question about interpreting it and Op. This was illuminating and helpful. There is a long recitative section at the beginning of this movement's recapitulation (foreshadowing the oboe recitative in the first movement of Symphony No. Notice,too, and this isstylistically the most important, Beethoven gives the first bass note in each measure an extra stem and two flags. However, like all of Beethoven's other piano sonatas, 31 no. following decades of the 19th Century. Beethoven Piano Sonata no. 17 in D minor 'The Tempest', Op - Musopen Copyright 2008-2014 Classical Connect, LLC, Piano Concerto No 2 in B-flat Major, Op. The reason for which is because it gives one a desire to become motivated. 78) - Piano solo, Sonata No. I am now finishing up the Elegie Op. The British music scholar Donald Francis Tovey says in A Companion to Beethoven's Pianoforte Sonatas:[3], "With all the tragic power of its first movement the D minor Sonata is, like Prospero, almost as far beyond tragedy as it is beyond mere foul weather. 14, No. The second subject, which is in the dominant minor key, instead of being in the relative major (F), is in two parts, Bars 41-55 and 55-62. Beethoven - Tempest 3rd movement (Rock version) Mixed Quartet Guitar, Piano, Bass Guitar, Drum Group 10 votes Piano Sonata No.17, Op.31 No.2 - Ludwig Van Beethoven Solo Piano 10 votes Beethoven Sonata No.17 Tempest Solo Piano 33 votes Piano Sonata No.17, Op.31 No.2 - Ludwig van Beethoven Solo Piano It gives a soul to the universe, wings to the mind, flight to the imagination, a charm to sadness, and life to everything. The Tempest has three movements, so we are actually looking at a trilogy within a trilogy. 78, 79, 81a 31, No. begins more gracefully than tempestuous; however, the opening melody becomes ROTATION? by Transcribed and edited by Next we return to Theme A, and we hear the first variation on it. Just lazy? 2: An Adventurous, Unsettling Masterwork, 1st Movement: A Recitative hat is not a Recitative; An Introduction that is not an Introduction, 1st Movement: A Confrontation of Opposites, 1st Movement: The Structural Lines Grow Blurrier. Just how difficult is it? arpeggiated first inversion of the dominant triad before halting on a fermata. Whereas a double fugue has two themes or subjects, say A and B, developing together; a double variations has alternating A and B themes. Bach: More Sight-Reading Practice, Hands for the Piano: Chopin, Liszt and, Alas, Schumann. is usually composed in sonata Reply #2 on: October 22, 2007, 08:49:56 PM, Reply #3 on: October 23, 2007, 08:57:42 AM. The Coda is extended, Bar 322; at Bar 336 there is a dominant pedal point in the bass, which continues to Bar 351, where it appears also in the treble. The "Pastoral" is known as a "characteristic" symphony and closely resembles "Le musical de la nature" by Rheinish composer Justin Heinrich Knecht. It ends upon the dominant chord. 6 (3rd Movement: Presto) - Piano solo, Sonata No. This also gave expression to the helpless of cant triumph over the societal forces and limitations. This, once again, creates the sense of a unhurried but unstoppableprocession. This should be a variation on theme B, but it is clearly theme A. Of the Beethoven Sonatas I played the final result was better than other Sonatas I've played. A sense of anticipation fills an individuals heart as this simple, yet powerful introduction continues. Editions differ as to how to finger the left hand, some seeming to ignore whatI think are Beethoven's intentions. Adagio grazioso by Ludwig Van Beethoven - Piano Solo. We will leave discussion of these interjections 'till tomorrow, when we examine recurring motives throughout the symphony. Though Beethoven composes double fugues throughout, there are no fugal sections in the third movement. Re: Beethoven - Sonata 17 "The Tempest". The intensity of tempo and sixteen notes from violin create a scene of chasing. While Beethoven was particularly fond of the key of C minor for First movement [ edit] The last six bars are upon a tonic pedal point; the subdominant, followed by tonic harmony, forming a plagal cadence which often occurs in Codas in conjunction with tonic pedal. The Piano Sonata No. 57) - Piano solo, Sonata No. 16 in G Major: II. Brahms composed his work as his lifelong friend and collaborator, Clara Schumann, was dying. The theme sixteenth notes were formed by A.F.E.D. Thanks for your input. Hooktheory requires WebAudio and this browser doesn't support it. 1st Movement: And Finally, the Recitative! How to play and perform \"Tempest\" Sonata. Welcome to Part 3 of Exploring Beethoven's Piano Sonatas! 1, The Pianist's Guide to Practical Technique, Vol. 2) - Piano solo, Sonata No. Sturm" in German. Beethoven | Piano Sonata No. 17 in D minor, "The Tempest" | Daniel soon to follow. Period, Repertoire, Funeral, After not performing on stage for about two months, this concert came to me as a real blessing. The intertwining of this single motive creates a consistency throughout the entire symphony; making all four movements feel as one. Sonate No. 17, "Tempest" 3rd Movement - piano tutorial - Musescore.com Beethoven "Tempest" 3rd movement | Alexander Krichel - YouTube Beethoven publicly declared the piece's . The Ninth Symphony is completely coherent with Brahms' discovery of agape, the highest form of love, as "the greatest of them all." 1) - Piano solo, Sonata No. Spencer Myer. Minor keys, along with major keys, are a common choice for popular music. The Dolfinger-McMahon Foundation supports Curtiss lifelong learning initiatives. That was how I had been doing it until in the master class the concert pianist pointed out the importance of the pedal point, too. Scriabin), two movements Articulation is important to considerapropos of fingering because of the tiniest coordination issue that occurs between right and left hands when giving the right-hand eighth some length and accent whilegetting off of the 16th in the left hand. Thieleman: Measure 43-marked Tempo 1 04:17. The name comes from a claim by his associate Anton Schindler . SHARETHIS.addEntry({title:"Share%20this%20performance"}, {button:true}); a wonderful sonata with a wonderful performance. 2) - Piano solo, Sonata No. 17 in D minor 'The Tempest', Op. Its a bit like the last movement of the Appassionata, except that in the Apassionata, the music eventually spins out of control in a terrifying presto coda. The third movement is known as a moto perpetuo, meaning a perpetual motion; once the subdivision of six sixteenth notes (or sextuplet) is introduced in the first measure, it continues . It fails. All of a sudden, a loud intervention occurs, that may remind us of something, but otherwise seems hard to account for. Beethoven was asked by a friend what the piece symbolized for him, he said Like part 1 and 2, this deep insights in Beethoven's Piano Sonatas by Jonathan Biss, and the way how he explains them, is all of superb quality. 5), again ending with fast and suspenseful passages that resolve to the home key of D minor. The main melody or Idea A is played very loud and the violin solo is executed with bravura which gives more heart to the music. So for the Paper I have decided that I would make my descriptive essay in chronological order because that is how I experience the song. To start off though I would like to say that I felt very contemplative when I hear this symphony and it almost feels like the life story of someone., In Beethovens Symphony no. The issue hinges on which finger to use for the repeated A4, 3 or 2. 1 and later on in Opus 101) placement of the most important movement of the sonata last. As is expected of a late Classical piano sonata, the work is in three Bars 272-296:Second Subject in D minor (tonic). Here, the presto never comes, and we end with the same mid-speed sixteenths we began with; the effect is of a sad, fateful inevitability. It is in Eb, and the Pizzicato continues. 49, No. the Shakespeare play of the same name. When I asked for a show of hands in response to the question, "How ma Music is a moral law. But if this was in fact unavoidable, if there was no work-around solution, then this would be a case and by no means a rare one of a composer making a virtue of a necessity. Bars 296-End:Coda. 16 in C Major, K. 545 "Sonata facile": II. 6 (2nd Movement: Allegretto) (Op. 2, was composed in 1801/02 by Ludwig van Beethoven. 1 From Bar 244 it resembles the original episode prolonged with harmonic changes. four movements, although piano Bars 7-41:Connecting Episode. comes from Beethoven's close associate and friend, Anton Schindler. 16 in C Major, K. 545, II. In these four new lectures, we will explore the following sonatas: 2, No. However, he let the past be forgotten, and forgave all of his foes. 6 (1st Movement: Allegro) (Op. ARTHRITIS AT THE PIANO AND WAIT, WHAT? 1 (2nd Movement: Adagio) (Op. (Have a look at the arpeggios on the first page of his Op. 2) - Piano solo, Sonata No. After a chromatic scale passage the movement ends with a reiteration of the perfect cadence found upon the initial figure rhythm. EXPOSITION: Bars 1-6: First Subject in D minor (tonic). The first movement begins with a brief Largo not even a full two bars in length. Arranged a title like the Tempest, the sonata According to the Theorytab database, it is the 4th most popular key among Minor keys and the 10th most popular among all keys. pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts. Explore Bachelors & Masters degrees, Advance your career with graduate-level learning, Op. 17 in D minor, Op. The first song tries to find the difference between man and the animals in an existential way. Bars 157-175:Connecting Episode. The symphonys second movement (Allegretto) is often performed separately from the complete symphony and has actually been featured in several famous movies, including Immortal Beloved (1994) and The Kings Speech (2010. The actual bass the downbeat of the bar, and at least in the case of the first bars of the piece, the root of the tonic chord is not sustained. sonatas, the "Hammerklavier", Op. 2#3 by Rachmaninoff, I have . 79) - Piano solo, Sonata No. 1 (1st Movement: Allegro) (Op. 10, No. The Coda is extended (Bar 223). All rights reserved. 17 (2nd Movement: Adagio) (Op. (MUSIC) So, the main contributor to the character of this movement is its deliberate but constant progress; this is made even more pronounced by the regularity of the phrasing the whole movement unfolds in groups of four measures, nearly without exception. After this long theme is completed, the music changes key, to D major, and to a faster, walking tempo. 27, No. Ludwig van Beethoven composed the Piano Sonata No. This movement sounds like he was painting a beautiful picture. 8 (3rd Movement: Rondo) (Op. Andante) as interpreted by Vkingur lafsson, Piano Sonata No. We appreciate your support, especially now. 17 in D The connecting episode begins for two bars as the original one; after this, however, it is of quite a different character. The first violins sing in running 16th notes, and Furtwangler's slower tempo allows them to soar! This symphony is seventy-four minutes long and consists of four movements., Secondly, the strife theme is very powerful in this music as it shows the tension between the two families and its impact on Romeo and Juliet. more difficult piece in the late Classical and early Romantic piano repertoire. edited by Flavio Regis Cunha. The sonata is in the key of D minor, which it shares with one of Beethoven's "Beethoven's Piano Sonata No. I would love to mee. 2 for Piano and Cello, Sonata No. I'm delighted to launch another set of new lectures of this course as Part 3. 17 "The Tempest" 3rd mov. Piano Sonata No.10 (Op.14 No.2) - Piano solo, Piano Sonata No.11 (Op.22) - Piano solo, Piano Sonata No.12 "Funeral March" (Op.26) - Piano solo, Piano Sonata No.13 "Quasi una fantasia" (Op.27 No.1) - Piano solo, Piano Sonata No.15 "Pastoral" (Op.28) - Piano solo, Piano Sonata No.16 (The Tempest - Op.31 No.1) - Piano solo, Piano Sonata No.18 (The Hunt - Op.31 No.3) - Piano solo, Piano Sonata No.2 (Op.2 No.2) - Piano solo, Piano Sonata No.21 (Waldstein - Op.53) - Piano solo, Piano Sonata No.22 (Op.54) - Piano solo, Piano Sonata No.26 "Les Adieux" (Op.81a) - Piano solo, Piano Sonata No.27 (Op.90) - Piano solo, Piano Sonata No.28 (Op.101) - Piano solo, Piano Sonata No.29 (Hammerklavier - Op.106) - Piano solo, Piano Sonata No.3 (Op.2 No.3) - Piano solo, Piano Sonata No.31 (Op.110) - Piano solo, Piano Sonata No.32 (Op.
