stacking klon and timmy


Here are 5 tips to understand as you begin to stack pedals: The last pedal in the stack has the biggest influence on the overall tone. Now what's particularly interesting is that in an amplifier like this, the tremolo is after the reverb. In total, about $450-$500 in upgrades between the pickups, pots, switch, and hardware. I like to use the ZVex Super Hard On and the EarthQuaker Arrows, but you could literally use any two boosts on the planet and this would work. 6,400 B () LTD. SNAKEBYTE SE Baritone (See Thru Purple Sunburst) 42,000 B () unknown. Yamaha Revstar RS502 Seymour Duncan P90s, Gotoh Hardward - musical What to stack with a Tumnus deluxe? : r/guitarpedals - Reddit 98499 Hours: Week Days 11:00am to 6:00pm Week Ends Noon to 5:00pm Other times available by appointment call 360-701-8795 These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. Stacking overdrive/gain/boost/distortion/fuzz pedals can accomplish a variety of goals. Electric Guitar. It's rich, it's thick, it's all the things you love about the Big Muff, but it's just stronger and better. Timmy is used by itself for a crunchier sound than Klon. Trust me. Now, here's the trick. Here, the relevant question tends to be "Rat before or after Rat? You must log in or register to reply here. This thread may have run its course, but IMHO, the two sounded more dis-similar than similar. Delay + Modulated Reverb = Washy Ambience, So, its not a secret that I'm a big fan of ambient clean guitar tone. Boom. fender original tele 50s - Taobao - Many players seek transparent overdrives like the Timmy, the Himmelstrutz Fitzo or the Hungry Robot to add gain but not additional EQ to a more uniquely voiced overdrive. Lace pick ups Gold powered by an active MDX mid-boost circuit with 25 dB of gain and TBX tone controls, Gold hardware. So to fix that problem, you need to add a Tube Screamer. markT. The first and most important stacking method that I use and have always used is taking a light gain overdrive, like the Morning Glory, and stacking it with a Tube Screamer. Ray20July 16, 2006 in Effects and Processors, I was told buy someone who has both that the timmy sounds just like the klon, but has more versatile tone controls. Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. Also, I explained how to sync two delays earlier, but there are a lot of pedals out there that have that multiple delay settings built in, like the DD-500 from BOSS. Def keeping the OCD but 2 of the other three are gonna probably go off to Reverbland. It really pushes other drive pedals nicely - I'm using the Timmy to push a Catlinbread DLS [ set in Supe Bassman Mode ]. If Im taking my pedals on the road, then Ill probably leave my Klon Centaur at home so it doesnt get stolen. Private Music Rehearsal Studio for Sale in Los Angeles, CA - OfferUp This topic is now archived and is closed to further replies. Oh okay, but if I leave the Klon on all the time after the OD, I won't have any pedal to give me a pure volume boost? I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. Congratulations. His resume includes hundreds of radio and television appearances, as well as thousands of live performances in America and abroad as lead guitarist for the legendary Oak Ridge Boys. (Image credit: Future) Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. Have you ever used more than one distortion pedal at a time? So, Big Muff into a Tube Screamer. I've worked in fields where I was required to hear very minute differences in audio signalsI trust my earsand the people who paid me put them to the test and found that they could trust them as well. Myself? I get asked about it a bunch but I plead the fifth. Now is the perfect time to get the gear you want with simple, promotional financing. Basically, you take two delay pedals and you sync them together. https://www.thegearpage.net/board/index.php?threads/1434114&highlight=klone+timmy. I think this is going to help you be heard. JavaScript is disabled. The tone stack on the Timmy is excellent. As Duke Ellington said, If it sounds good, it IS good. There is no right or wrong, only what you prefer. / , , . eBay item number: 304918709122. Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. The Keeley Electronics Red Dirt Overdrive guitar pedal delivers classic drive, plus amazing sonic versatility that makes it at home in any musical setting. Strat Talk is the leading online community and marketplace for Stratocaster guitars. 2,520. Posts: 8,543. Also, personal experience and popular opinion both suggest that putting the Screamer first is the best way to stack these two pedals, but that should not discourage you from trying it the other way as well. If you want to see the reason this is cool, turn the drive knob up. Klone wars Of all the boutique pedals produced in the past 30 years, the Klon Centaur is probably the most infamous. 7 Types Of Overdrive Pedal For Killer Blues Tones Despite its size, it's pretty damn versatile, thanks to three clipping options. See signal flow here in attached PNG. Yeah I like to run all my other drives into my Timmy, so thats probably how I would use it. My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. All controversy and cost issues aside, the Klon Centaur is a spectacular pedal for stacking. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Match the volume control so the level is the same when the pedal is engaged/disengaged. So what do you guys think? I like the Death by Audio Fuzz War, just because it sounds as big as the case looks.**. Don't have that exact set-up, but i have a FullDrive2 -> Timmy which is somewhat comparable (with the FD analogous to the TS and the Timmy to the Klone). Mimic, HSH to SSS and SSH (board little Mind). The Tim is a honking big piece of pedal metal. That's what you need to try. Stacking dimed drives often results in tubby, indistinct tone. It's wide and tall. With a little systematic and thoughtful experimentation, you will be able to hone in on new tonal aspects to create inspiring tones. Ibanez TS9 Tube Screamer Reissue - musical instruments - by owner Seriously though, I do it all the time. Gives me 80s NWOBHM tones all day, Strymon OB1 (compressor includes clean boost as a 2nd footswitch) -> MXR Distortion III -> Blues Driver. Here is a short list to provide a starting point for stacking drive pedals. I'm already in the possession of a TS808 and I'm (happily) running it into an OCDv2. The Quiet Theory Prelude is also a great pedal, since it has both settings. For a better experience, please enable JavaScript in your browser before proceeding. Do your homework before buying. Stacking "Klone" - Telecaster Guitar Forum How to Stack Pedals The JHS Show I can't say enough about it. Original models of the Klon have now become some of the most sought after guitar pedals ever made. 1995-2022 Harmony Central, Inc. All rights reserved. Mooer's Blues Crab should be a solid budget option. If you want to add another tone to your board, look for pedals that will complement the tones you already have. Are you using one to drive the other? But you have people-- even me --telling you to put your tremolo after your overdrive and before your delays and reverbs. To learn more about our cookie policy, please visit our Privacy Policy. (continue with the douch bag and asshole comments!). Both of my boards have four OD pedals with a Timmy being the first in the chain. Theres one at my local GC for $50. Some of the add-ons on this site are powered by. Klon Centaur Guitar Distortion & Overdrive Pedals, Fulltone Guitar Distortion & Overdrive Pedals, Being music makers ourselves, we love geeking out on all things gear. Tim Pierce Premier Guitar Rig Rundown. You are using an out of date browser. Wren and Cuff makes a superb Ram's Head clone, with the Caprid, and excellent Colorsound Power Boost clones are available from Buffalo FX, ThroBak Electronics, and others. Please check the fields highlighted in red. Both of my boards have four OD pedals with a Timmy being the first in the chain. MXR Timmy Overdrive review | Guitar World 62'RI Strat, ES335. Your purchases help youth music programs get the gear they need to make music. All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. one is all i need. Original Blues Breakers, while not super expensive, still hover in the 250-dollar range (a bit much if you ask me). TS-style drives boost mids, taper highs and lows, and add some compression and a bit of clean, undistorted signal to the mix. Personally, I would go Katana, TS, Timmy, Klon. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. Best Blues Breaker-Style Pedals, Clones & Evolutions in 2023 It's the one that really frustrates your neighbors and makes everyone in your house hate you. You are using an out of date browser. big muff - Most of the time the pedal for a clean boost for leads is after all dirt.. ( still before the klon, imo ) Try it both ways: TS>Timmy>Katana>Klon to use the Katana as a clean boost. CSP027 TIMMY OVER DRIVE. Best overdrive to stack with tube screamer - swt.lapiz-fliesen.de I thought you were having OCD problems with this Im currently using a Wampler Ecstasy on light almost clean drive. Mohammad akhter md. For a better experience, please enable JavaScript in your browser before proceeding. Know What You Have, Decide What You Need Next. But, you might be on the wrong forum for this question. Lol. If you have this setup, try it. These are my tried-and-true pedal stacking combinations, but I want to make it clear that these are not hard, fast rules. They know right from wrong!. Its just music. That's what I'm sharing. The only one who's feeding anyone bull{censored} here is you. Running a Blues Breaker into a Klon is a fairly well-known tone recipe these days, with John Mayer being perhaps the most famous proponent of this setup. For a better experience, please enable JavaScript in your browser before proceeding. It may not display this or other websites correctly. Currently, after watching and reading a lot about Klon (e)s on fora . Clavey paddle sports petaluma blvd s petaluma ca. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should.. One of the nice things about stacking delays is that it involves less trial-and-error than dirt stacking experiments typically do, because most delay pedals will play together nicely without much prompting. Hi thanks for your replies. It may not display this or other websites correctly. Happy customers, one piece of gear at a time! Do the same with the Volume control while adjusting the Gain to different settings. Ha. Basically, I hit a note and then it bounces back slowly. . It ensures the correct amount of power goes to your tip-negative keyboards and electronic devices. I have no idea. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. The combo works really well in a wide variety of rigs, and the blend of tones results in a delicious stew that is equal parts sweet, thick, richly detailed, and dynamically crunchy (if that makes any sense). Learn More. So, heres how I get it done: I take a delay (any delay will work, but I really like the Diamond Memory Lane Jr) and I set it to a faint, but almost strong quarter note echo. 98 Fender Stratocaster masterbult custom shop one kind one off $5,197 A Sweetwater Sales Engineer will get back to you shortly. Finding the optimum gain staging between pedals is important. . This has gobs of delay options. All drive pedals have an inherent sound and EQ curve. A Beginner's Guide to Stacking Drive Pedals | Reverb News They boost other effects and add a nice thing to the pick attack and note bloom when they are first. Stull trying to dial in a decent boost tone. Any suggestions would be greatly appreciated as to which order makes more sense in general. If you try this, you'll be really, really surprised. You must log in or register to reply here. Both pedals have an external tab jack. It started through guitar amplifiers. Thank you for your request. One of the pedals it is known to play very nicely with is the original Marshall Blues Breaker, which was Marshall's attempt at cramming the distinctive tone of their amplifiers into a stompbox. : () . It's really an addictive sound, and the tactile responsiveness is very satisfying as well. I run my Klone ahead of my dirtier Nobels, Rat style OD's. They probably were referring to the fact that the Timmy can be set for a clean boost. How are you using them? Canyon Guitars 360-701-8795 12829 Pacific Hwy SW. Lakewood, WA. Stack the Tonebender and the Supro-y overdrive to cop Jimmy Pages tones. You will be surprised by how much your tone is altered by each small change. Reversing this setup can also be cool, with the DD-3 first and the Carbon Copy set for longer repeats. Below are a few hints to help you expertly wade into the exciting and very-wide world of dirt stacking. Also, get a Klon and try it as a heavy overdrive. This gives you a darker, quicker initial echo that suddenly morphs into crystal clear repetitions, an effect which I personally find very enchanting. Might not be the awnser that you are expecting , but do you have a good amp? Light Gain Overdrive + Medium Gain Overdrive = Heavy Overdrive. This way, the drives will not conflict with one another. Guys like the Edge and U2 have done stuff like this for years. You can be a rowdy rocker again, and honestly, that alone is worth the price of admission for this pedal stacking combo. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. When I stack, I don't like to stack the same pedal- too much of the same frequencies. Working the gain knobs of both pedals can get you into some pretty glorious overdrive, especially through a good tube amp (even moreso if it's set on the edge of breakup). The Eventide H9 is another option that I actually have on my personal board. It kind of has a scoop and a lot of people complain, Dude, I turned my Big Muff on, but we're in a band setting and I disappear out of the mix. Which 100% makes sense, honestly, because mids are super important to make you stand out in that mix. The Big Muff has plenty. For what you're doing, stacking a boost ahead of your Klon-type might be all you need. Power Your Creativity . Read reviews and forum scuttlebutt. Stack amazingly well but dont neatly fit any of the previous categories. Works great. And now Im out getting a 12 string simulater, by the time I get home it'll be to late to try. We and our partners store and/or access information on a device, such as cookies and process personal data, such as unique identifiers and standard information sent by a device for personalised ads and content, ad and content measurement, and audience insights, as well as to develop and improve products. These two pedals complement each other beautifully, with the Power Boost smoothing out the wild, hairy edges of the Muff, while adding some mid-range definition to help it penetrate the mix. Au contraire, Mon ami, for the world of delay stacking is a many-splendored sonic playground which should not be left unexplored. NoI'm referring to the fact that in a side by side comparison, with the same guitar, plugged into the same amp, with the EQ set flat, the overall gain structures of each pedal from clean to max have a nearly identical tonal signature and response/feel. thanks for playing! The Klon will be always on so technically Katana is my only clean boost that'll be there to push the OD more. Now, this one is really cool, and in some cases, it's a non-negotiable. You just made a DIY overdrive. It may not display this or other websites correctly. A Sweetwater Sales Engineer will get back to you shortly. Call 66 one 874- 92seven 71998 Fender Stratocaster master built one of a kind Senior master builder Act, Esparza build this special guitar. A common scenario is a clean amp with a light gain pedal followed by a heavier gain pedal. ~ Private rehearsal studio available ~ Completely private, no neighboring bands ~ Top of the line equipment ~ Feel free to contact me for booking *$30 per hour w/ a minimum of 3 hours. Are there more or less mids? By continuing to use Reverb, you agree to these updates, and to our cookie policy. In truth, just about any low-gain, gently mid-focused boost or drive pedal should do the job in this scenario if set up correctly. The trick, though, is to make it work well. With original hard case and all case candy. . Quick question about switching tube amps on/off. Last edited: May 24, 2021. There is no formula. You can also use drive pedal stacks to change the overall character of your existing rig. This is a really good go-to combo. For more information, please see our I use Klon a lot for rhythm and solos, add Timmy to kick in more overdrive/distortion. The key to making this combination work is setting the gain and Volume on each pedal modestly, and running it into a relatively clean amp. It may not display this or other websites correctly. The 1.7 was always my favourite, but ever since I began running the 2.0 in 18-volt mode it's kind of in the lead. While painfully incomplete, hopefully it will give you some info for practical application and serve as a jumping-off point. Guitar Lessons with RANDY HANSEN!!! - musical instruments - by Fuzz pedals add a different color palette to your overall sound but function in pretty much the same way as any other drive pedal. Hey! When I want to go into Metal mode, I use the Timmy with my Friedman BE-OD. 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. TC Electronic Spark Booster (has Gain option). For a better experience, please enable JavaScript in your browser before proceeding. For me, I consider it an always . It tastes like heaven. But if you do it in a faint way, it's really, really special. Route 66. You may already own something that does this, so don't feel the need to run out and buy something new. **For reference, the case is bigger than my head. Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. In terms of economy and sheer possibility, one of the most exciting aspects of drive pedals is their ability to be stacked. The classic bolt-on design of the Stella DW features an HSS configuration with Alnico humbucker and single coil pickups for a shimmering, articulate tone. I've often used this for big ambient slide parts with overdrive, and I have a knob setting that works great. Actually, the old timmy's sound a little different than the tims. ZVex actually has to have this in one case for this reason. and don't attack me asshole, I'm asking about what I've been told. Each new drive will shape the EQ and most drives also increase compression. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. Whatever youre looking to experiment with, you can find that delay effect on here. As you can see, just a few pedals can cover a ton of ground. From there I have three options to pick and choose from depending on the kind of dirty sound I'm looking for. And then of course, you can go with any of the fancy new Line 6 stuff, like HX Effects. Some good alternatives to a Morning Glory, which is a Bluesbreaker-style circuit, would be something like Paul Cochran's Timmy and the Xotic RC Booster, which are both great transparent pedals that don't color your sound. How do you like it? call paul and bill and tell them BOTH that line of bull{censored} above. This way: Katana>TS>Timmy>Klon if you want to use the Timmy as clean boost and the Katana as a way to get more gain/compression out of the TS and Timmy. The MXR Timmy has more dynamic presence than your regular overdrive. How does it sound? The Tumnus will be perfect for most of the songs I play with its clearer low dirt sound, but I will need slightly more distortion for a few heavier songs my band plays and also I would like the extra push for my solos to cut through. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. The DOD boost is used by itself for a clean solo sound. Amazon.com: Blucoil 9V 670mA Power Supply with Slim US Plug AC Adapter To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. Obviously, there are endless ways to stack guitar pedals. Depending on your pedals and settings, your experiments may have met with mixed results, but the basic idea is solid; use one gain pedal to boost or color the sound of another. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Originally produced by Bill Finnegan between 1994 and 2000, getting your hands on one of the original units could set you back over 1,000. I actually tried my OCD with a Voodoo Lab Sparkle Drive Mod, which has 4 gain stages and is more versatile. When I tap the tempo on one, both of them sync up, with quarter notes and dotted eighths. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Powered by Invision Community. It sounds like Martian food. Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . Rickenbacker 360/12 string in Fireglo in perfect condition. Running a Tube Screamer into a RAT can yield a thick, harmonically delicious crunch when driven by the guitar's bridge pickup, or a creamy, endlessly sustaining "woman tone" when the neck pickup is engaged. It has a lot of good reverbs: big and ambient or spring. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. This could not be further from the truth, however. Definitely try that in your rig. The secret to stacking pedals successfully is to learn what each pedal will bring to the mix and to find ways to help the pedals complement each other. Another really affordable pedal that people forget about is the Fulltone GT-500, which you could get today for $50 - $75. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. For example, a blackface 65 Fender Princeton already has the reverb and tremolo effects built in. The list of variables goes on and on. More volume and it will produce more gain and different reactions from the other od's. The Stack section of the Kemper Profiling Amplifier consists of the profiled amplifier, equalizer and cabinet. Literally, you could spend the rest of your life trying combinations. The possibilities are endless. NEW Tagima Stella DW- Black Fade - musical instruments - by dealer Exclusive deals, delivered straight to your inbox. Your purchases help youth music programs get the gear they need to make music. Is it a good thing? Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson they will both say they are original designs and had different starting points. Although I'd admit I owned the TIM (not the Timmy). Some pedals are great at specific jobs. I can never get them to behave well later in the chain. It has some great stacking possibilities. Set the octave up with about 50% dry signal, if you have that option. Scan this QR code to download the app now. Maybe a certain pedal simply does not play well with others. For a better experience, please enable JavaScript in your browser before proceeding. and our He is also the first-call session guitarist for Sweetwater Studios. The Caverns by Robert Keely has a modulating reverb setting and a delay. These are two bona-fide classic dirt pedals that just happen to make beautiful tonal magic together. This next one has been around for a while, since before people even started stacking pedals. Don provides Sweetwater with professional insight through product demos, reviews, how-tos, and group instruction. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening. The Klon Centaur was first released in 1994, and production of the pedal continued until 2009. Since your gear creates a system, its important that every piece serves the whole. I like to use a White Elk by Wren and Cuff, which is a really cool version of a weird Big Muff clone that existed back in the day. They are too loud stacked. Octave + Fuzz = Massive Wall of Riff Rock. Pph 21 pegawai kontrak. Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. When you combine two boost pedals, in a sense it does the same thing, but you get infinite tweakability. I use a TC Electronic Spark clean boost as the first pedal into my ODs. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. Tuffi wuppertal wikipedia deutsch. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. They're made for each other, like peanut butter and jelly, or grilled cheese and strawberry jam**. Here are a handful of perfect pedal pairs for creative tone stacking. Take an octave pedal, like the Electro Harmonix Micro POG, the OT-10 Octave by Ibanez, or the BOSS OC2. Today, were putting together some truly great pedal stacking combinations. Based on the Klon Centaur, somewhere between Transparent and TS-style. Besides the obvious bump in volume, many boost pedals like the ZVex Super Hard-On round out dull tones by adding a sparkling sheen to the top end. All hardware replaced with Gotoh including the bridge, knobs, and locking tuners.

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