Be as your fancies teach you. Othello is able to rise above the stereotypes, but he is never able to forget what others may feel about him. In this way Iago, by planting Desdemona's handkerchief, will throw fuel on Othello's already burning jealousy. Othello Romeo and Juliet King Lear . Modern definitions of hubris focus on this foolish pride and how a characters arrogance will result in their inevitable destruction. Othello and his loyal men would tear him apart, like birds. This classical definition of hubris does provide an interesting critical framework for an important moment in Othello: his public assault of Desdemona in (IV.i). His subsequent refusal to change his mind is a great demonstration of the characters hubris. Purchasing What mistake causes Ravi to lose the game? O , my souls joy, Act 2 Scene 1- Othellos overwhelming joy is clear as he expresses his life is fulfilled, If it were now to die//Twere now to be most happy, Act 2 Scene 1- Othello can not hide his joy in this high point of the play, I cannot speak enough of this content//It stops me here; it is too much of joy, Act 2 Scene 1- Iago a likens Othello to the devil. Act 1 Scene 1- Iagos racism as he discusses Othello and his wife to Brabantio, an old black ram//Is tupping your white ewe, Act 1 Scene 1- Iagos racism continues as he discusses Othellos marriage, youll have your//daughter covered with a Barbary horse; youll have your// nephews neigh to you, Act 1 Scene 1- Brabantio doesnt know the truth in his words, Act 1 Scene 1- Roderigo illustrates that he is repulsed by the marriage, Act 1 Scene 1- Iagos dramatic irony as he suggests that he should leave before Othello arrives, It seems not meet, nor wholesome to my place//To be produced, Act 1 Scene 1- Brabantio introduces a central theme to the play, Act 1 Scene 1- Brabantio expresses his betrayal, Act 1 Scene 1- Brabantio confirms the Rennaissance stereotype of black men, Is there not charm// By which property of youth and maidhood//May be abused, Act 1 Scene 1- Brabantio makes his private conflict public, Get weapons, ho!//And raise some special officers of night, Act 1 Scene 2- Iagos dramatic irony as he pretend to be fault to Othello, Act 1 Scene 2- Iago suggests that Brabantio has betrayed Othellos honour, And spoke such scurvy and provoking terms// Against your honour, Act 1 Scene 2- Othello initially illustrates his pride as an officer, My services which I have done the signory//Shall out-tongue his complaints, Act 1 Scene 2- Othello further illustrates his honour as an officer, I fetch my life and being//From men of royal siege, Act 1 Scene 2- Othello expresses his greatness of soul as he declares his love for Desdemona, But that I love the gentle Desdemona//For the seas worth, Act 1 Scene 2- Othello declared his hubris as he suggests that he must be found, My parts, my title, and my perfect soul//Shall manifest me rightly, Act 1 Scene 2- Othello subverts the traditional stereotype of soldiers as he suggests that violence isnt always the way, Keep up your bright swords, for the dew will rust them//Good signor, you shall command with years//Than with your weapons, Act 1 Scene 2- Brabantio declares that Othello has charmed Desdemona, Damned as thou art, thou has enchanted her, Act 1 Scene 2- Brabantio illustrates Desdemona as a weak victim to the cunning sexual predator of Othello, If she in chains of magic were not bound//Whether a maid, so tender, fair and happy//so opposite to marriage that she shunned, Act 1 Scene 2- Brabantio reveals his casual xenophobia as he suggests that one should be afraid of Othello rather than in love, Of such a thing as thou: to fear, not to delight, Act 1 Scene 2- Brabantio confirms the Rennaissance stereotype of black man as he presents Othello as a cunning sexual predator, That thou hast practised on her with foul charms//Abused her delicate youth with drugs or minerals, Act 1 Scene 2- Brabantio presents Othello as a villain, Act 1 Scene 2- Othello asserts his power as an officer declaring that violence is not necessary, Were it my cue to fight, I should have known it//Without a prompter, Act 1 Scene 3- Brabantio presents Desdemona as his property as he declares Othellos crimes before the senate, She us abused, stolen from me, and corrupted, Act 1 Scene 3- Brabantio presents Desdemona as the innocent victim of Othellos abuse, Being not deficient, blind, or lame of sense//Sans witchcraft could not, Act 1 Scene 3- Othello dispels all rumors as he addresses the senate with respect, Act 1 Scene 3- Othellos dramatic irony as he suggests he does not speak well in front of a crowd, Rude am I in my speech//And little blessed with soft phrase of peace, Act 1 Scene 3- Othello also suggests that Desdemona is now is property, Act 1 Scene 3- Brabantio continues to present Desdemona as a weak and innocent victim as Othello attempts to justify his actions, A maiden never bold//Of spirit so still and quiet that her motion//Blushed at herself, Act 1 Scene 3- Brabantio continues to illustrates the xenophobia of his time, To fall in love with what she feared to look on, Act 1 Scene 3- Brabantio expresses the unnatural nature of this marriage, Act 1 Scene 3- Brabantio a likens Othello to the Devil, Act 1 Scene 3- Othello presents a greatness of soul as he allows Desdemona to speak for herself, And let her speak of me before her father, Act 1 Scene 3- A moment of foreshadowing as Othello presents a greatness of soul as he illustrates his overwhelming trust for Desdemona, but let your sentence//Even fall upon my life, Act 1 Scene 3- Othello presents his hubris as he discuss the difficulties that he has overcome to the senate, From year to year- the battles, sieges, fortunes//That I have passed, Act 1 Scene 3- Othello presents he hubris as he boasts about his exotic adventures to the senate, Rough quarried, rocks, and hills whose heads tough heaven, Act 1 Scene 3- Othello first discusses why Desdemona was attracted to him, Shed come again, and with a greedy ear//Devour up my discourse, Act 1 Scene 3- Othello discusses the sympathy that Desdemona felt towards his struggles, She gave me for my pains a world of sighs, Act 1 Scene 3- Othello discusses how he enjoyed the pity he received from Desdemona, She loved me for the danger I had passed// And I loved her, that she did pity them, Act 1 Scene 3- Desdemona is allowed to speech and expresses how she belonged to her father, Act 1 Scene 3- Brabantio does not understand the harmful power of words, But words are words; I never yet did hear// That the bruised heart was pieced through the ear, Act 1 Scene 3- Desdemona expresses that she now belong completely to Othello, My heart subdued//Even to the very quality of my lord, Act 1 Scene 3- Desdemona discusses Othellos honour, And to his honours and he valiant parts//Did I my soul and fortunes consecrate, Act 1 Scene 3- Othello presents his greatness of soul as he declares that he is not simply with Desdemona for reasons of lust, I therefore beg it not//To please the palate of my appetite, Act 1 Scene 3- A moment of dramatic irony as Othello declares his trust for Iago and puts his wife in Iagos care, A man he is of honesty and trust://To his conveyance I assign my wife, Act 1 Scene 3- In a moment way ahead of his time the duke suggests that there is more to Othello than his race, If virtue no delighted beauty lack//Your son-in-law is far more fair than black, Act 1 Scene 3- In a moment of foreshadowing Brabantio plants a seed of doubt into Othellos head, Look to her Moor, if thou hast eyes to see//She has deceived her father and may thee, Act 1 Scene 3- In response to Brabantios seed of doubt Othello presents his overwhelming trust for Desdemona, Act 1 Scene 3- Othello makes an error of judgement as he puts Desdemona in Iagos control, Honest Iago,//My Desdemona must I leave to thee, Act 1 Scene 3- Roderigo expresses he desire to die after he learns about the marriage, this mirrors Othellos speech moments before his death, It is silliness to live, when to live is tormentwe have a prescription to die, Act 1 Scene 3- Iago declares the importance of will over instinct, Our bodies are our gardeners, to the which our will are gardeners, Act 1 Scene 3- Iago further illustrates the need to control lust with will, It is merely the lust of the blood and a permission of the will, Act 1 Scene 3- Iago reveals the greedy motives of his support for Roderigo, Act 1 Scene 3- Iago presents casual racism as he questions Othellos will, Act 1 Scene 3- Iago reveals his manipulation of Roderigo for money, Act 1 Scene 3- Iago reveals that is actions are simply for enjoyment presenting him as a true villain, Act 1 Scene 3- Iago suggests that he is going to manipulate Othello, Act 1 Scene 3- Iago identifies Othellos fatal flaw, The Moor if of a free and open nature//Than thinks men honest that but seem to be, Act 1 Scene 3- Iago presents casual racism as he refers to Othello as an animal, And will as tenderly be led by thy nose//As asses are, Act 1 Scene 3- Iagos plan has been formed, Hell and night//Must bring this monstrous birth to the worlds light, Act 2 Scene 1- Montano declares that the Turkish Fleet have drowed, If that the Turkish fleet//Be not ensheltered and embayed, they are drowned, Act 2 Scene 1- In a moment of dramatic irony it is suggested that the battles are over, Act 2 Scene 1- Cassios caring nature and genuine love for Othello are revealed, this dispels all previous rumors, yet he looks sadly//And prays the Moor be safe, Act 2 Scene 1- Cassio presents a genuine concern for Othello who has not yet arrived at Cyprus, O, let the heavens//Give him defence against the elements, Act 2 Scene 1- Iago presents casual sexism as he suggests that his wife Emilia talks to much, would she give you so much of her lips//As of her tongue she oft bestow on me//Youd have enough, Act 2 Scene 1- Desdemona dispels all previous rumors as she appears bold when she defends Emilia from Iago, Act 2 Scene 1- Iago appears sexist as he suggests that even his own wife lacks sexual morality, Act 2 Scene 1- Iago reveals more of plot to manipulate Cassio, With as little a web as this I will ensnare as great a fly as Cassio, Act 2 Scene 1- It is a true high point for the tragic hero as Othello arrives in Cyprus, It gives me wonder great as my content//To see you here before me. You can view our. I think the opening scene is meant to introduce the cunning and deceitful Iago. "O, beware, my lord, of jealousy; It is the green-ey'd monster, which doth mock. After witnessing Cassios bravado and seeing the ocular proof of the handkerchief in (IV.i), Othellos pride has been broken and he wants to chop Desdemona into messes. This reckless rejection of the warning signs is a very useful definition of hubris. Quote #1. The quote darkly foreshadows how Othello will be unmoved by Desdemonas insistence on her innocence and pleas for her life to be spared. This quote explains the main conflict of the play. Here, black has a dual meaning - referring to Othello's race and also, according to usage of the time, meaning "ugly". Continue to start your free trial. Ironically, Othello assumes that Iago is being tactful and trying not to blame Cassio for what happened, whereas Iago has actually engineered the entire situation in order to get Cassio in trouble. Act 1 Scene 1- Iago illustrates Othellos hubris, But he as loving his own pride and purposes, Act 1 Scene 1- Iago illustrates Othellos pride and reputation as a soldier, Act 1 Scene 1 Iagos casual sexism as he discusses Cassio, Act 1 Scene 1- Iago reveals his motives, the jealousy of Cassios promotion, Preferment goes by letter and affection//And not by old gradation, Act 1 Scene 1- Iago reveals he only does his duty to seek revenge on Othello, Act 1 Scene 1- Iago revels his false nature, But I will wear my heart upon my sleeve// For daws to peck at- I am now what I am, Act 1 Scene 1- Roderigos casual racism as he discusses Othello, What a full fortune does the thick-lips owe, Act 1 Scene 1- Iago objectifies Desdemona as he and Roderigo awake Brabantio. "Rude am i in my speech" proves Othello's confidence and elegance in his language. Thinkst thou Id make a life of jealousy//To follow still the changes of the mood//With fresh suspicions? Nor scar that whiter skin of hers than snow. In the play, Othello's tragic flaw is his sense of self-importance, what the ancient Greeks would have called hubris, translated to mean excessive pride. Did you know you can highlight text to take a note? 1. Othello says this line at the very end of the play, once he realizes that he has been tricked and deceived. My medicine, work! Whateer you be, I am obedient, Act 3 Scene 3- Othello forshadows the chaos that occurs when he no longer loves Desdemona, But I do love thee! Race is a pervasive theme in the play, as prejudice is pervasive in Venice. He also mentions his illustrious heritage and noble character: "I fetch my life and being / From men of royal siege". "Haply for I am black'Tis destiny unshunnable like death." (Act 3 Scene 3 Lines 267-279). How does Cassio fall from Othellos grace and get fired? He wants to stress upon his Englishness. It is a claim to civilization and order. A master manipulator, Iago plants a seed of suspicion, but then seemingly hesitates to make any distinct accusations. Yet she must die, else shell betray more men. Iagos manipulations of Othello conform to the post-colonial reading and the features of an Aristotelian tragedy. It is a reminder that we should always act with grace and understand our own flaws and fallibility. He still loves his wife when he says. He is unconcerned because of his strong sense of self-worth. In pursuit of his revenge Iago will become duplicitous, never showing his true emotion to the outside world. Horribly stuffed with epithets of war. Look to your wife, observe her well with Cassio. Use up and down arrows to review and enter to select. "Awake! Aristotle outlined his theory of tragedy in Poetics. Othello speaks this quote to Iago after Iago has explained to him about Cassios involvement in a drunken brawl. That cuckold lives in bliss, Who, certain of his fate, loves not his wronger: But O, what damnd minutes tells he o'er. Like Cassio, Othello believes a man's reputation is "immortal", and he hopes his name will not be sullied by this final chapter of his life. Desdemona: Banish me my lord, but kill me not. Othello e-text contains the full text of Othello by William Shakespeare. Because Othello is resistant to believing in Desdemonas guilt, Iago has more fuel to persuade him. He perceives his race as inferior and a factor in Desdemonas resentment and infidelity towards himself. (He smothers her) Othello's ruthlessness and hubris energise him to throttle his wife, ignoring her desperate pleas. In these lines said by Othello, he is showing how someone's deceit (having to do with his love for his wife) can really go as far as to make him criticize a whole entire gender based on one idea that his Desdemona has been unfaithfuland he does not even have proof that this accusation is true. They really don't want to get caught but one can see their sins if they look closely. However, because Othello is black, this can be interpreted as a backhanded compliment; Othello is more fair (just, gentlemanly) than those of his race. Farewell, Commend me to my kind lord: O, farewell!" showing her motive to protect Othello which such a realisation leads to his own death, "I kiss 'd thee er. (3.3.373-382) Iago realizes the unbelievable power of jealousy. Othello wants Venice to remember him as honorable in spite of his actions. Tragedy- Othello quotes. Through the Aristotelian tragedy reading, Othellos egocentricity, arrogance and jealousy are the presiding factors of his destruction. quotes are said by Othello whose character I believe made the most impact on my perception of the first great black protagonist in Western literature. O wretched villain!O damned Iago! By signing up you agree to our terms and privacy policy. I have no wife, Act 5 Scene 2- Othello suggests that people who murder are crazy, It is the very error of the moon//She comes more neared earth than sh was wont//And makes men mad, Act 5 Scene 2- Othello seeks revenge on Cassio as he is aware that Iago hasnt murdered him, Then murders out of tune//And sweet revenge grows harsh, Act 5 Scene 2- Desdemona dies an innocent victim, Act 5 Scene 2- Desdemona remains loyal to Othello until the end of her life, Nobody- I myself-farewell//Commend me to my kind lord- O farewell, Act 5 Scene 2- Othello tells Emilia that he believes Desdemona is a liar, Shes like a liar gone to burning hell//Twas I that killed her, Act 5 Scene 2- Emilia continues to defend Desdemonas innocence, O, the more angel she//And you the blacker devil, Act 5 Scene 2- Emilia defends Desdemona and calls Othello evil, Act 5 Scene 2- Othello suggests that Desdemona was not loyal, Act 5 Scene 2- Emilia suggests that Othellos rash behaviour led him to believe that his wife was not loyal. Some composers, such as Dmitri Shostakovich of Russia, wrote traditional symphonies of four distinct movements. Othello: Out, strumpet! Copyright 1999 - 2023 GradeSaver LLC. Now that Iago has awakened jealousy and suspicion in him, he cannot think about anything else. Iago suggests that Othello has hubris when he states. We're English, and the English are best at everything.". Why does Othello care about Desdemonas handkerchief. Within these three days let me hear thee say That Cassio's not alive. His suggestion is a subtle mutiny aimed at Roderigo. Oh I have lost my reputation! The quote also reveals that Othello is a charismatic and impressively articulate individual, who can charm someone with the power of his words. The quote reveals Othellos blind spot where Iago is concerned, and sets the stage for how Othellos belief in Iagos integrity and honesty will lead to disaster. Their best conscience is to keept unknown. He is vain and ignorant as he thinks that he knows and controls his wifes fate. Shall ever medicine thee to that sweet sleep. Othello: Down, Strumpet! The only difference between . Thou art rash as fire to say//That she was false. His terrible arrogance and unwillingness to listen to her pleas of innocence is a moment of hubris and the heavens will punish him for such vanity and ignorance. For the post-colonial readings, Iago takes advantage of Othellos race, as he conforms to the other, to destroy him. Therefore be double damned: Swear thou art honest. O brave Iago, honest and just//That hast such noble sense of thy friends wrong thou teachest me! J. N. Smith. Othello Quotes Showing 1-30 of 237. I saw the handkerchief in his hand. Thus credulous fools are caught, Act 4 Scene 1- Iago suggests that Bianca is a prostitute, A housewife, that by selling her desires// Buys herself bread and clothes. He is proud and vain thinking that the handkerchief is enough proof that Desdemona is has faithlessness to her husband. As a result, Othello actually has to beg Iago to reveal the very suspicions that Iago is eager to pass along. We cannot all be masters, nor all masters. SparkNotes PLUS However, though he will kill her, he will not mar her beauty in doing so, as Desdemona's beauty/whiteness/light is a symbol of her goodness. Power Of Death In Othello The Power of Death After reading Shakespeare 's play Othello, one can easily conclude that it is primarily about jealousy and revenge. However, the treatise does not include any reference to hubris because the concept held quite a different meaning in Classical Greek society. When Iago alleges Desdemona is having an affair with Cassio, it hurts Othellos pride because his marriage to the Venetian lady satisfied his ego and provided him with the respect he believed he deserved. The quote shows the terrible bind Desdemona is trapped in: her attempts to speak the truth and tell her husband she is chaste only make him more angry at her because he believes she is lying. He ignores her claims that she is his true and loyal wife and blindly argues heaven truly knows that thou art false as hell. Iago says he knows people in this country do bad things. There is self-approval in these lines which could be interpreted as arrogant. Roderigo recruits Iago to woo Desdemona for humself. Farewell content!//Farewell the plumed troops and the bug wars//That make ambition virtueFarewell Othellos occupation gone, Act 3 Scene 3- Othello discusses that only those who know about their sorrows feel the pain, He that is robbed not wanting what is stolen//Let him knowt, and hes not robbed at all, Act 3 Scene 3- Othello doesnt realise the truth in his words as he demands that Iago finds proof, Villain, be sure thou prove my love a *****; be sure of it, Act 3 Scene 3- Iago states that it is better to be wise that honest, I should be wise; for honestys a fool// And loses that is works for, Act 3 Scene 3- The extent of Othellos tragic downfall becomes clear as he begins to contradict in his speech, By the world// I think my wife be honest, and think she is not// I think that thou are just, and think thou art not, Act 3 Scene 3- Iago reveals that passion is Othellos fatal flaw, Act 3 Scene 3-Iago states that Cassio has spoke about Desdemona in his sleep, There are a kind of men so loose of soul// That in their sleeps will mutter their affairs, Act 3 Scene 3- Othello loses all control and plans to violently attack his wife, Act 3 Scene 3- Othello reveals his desire for revenge, Arise black vengence, from they hollow cell, Act 3 Scene 3- Othello loses control and sees no other resolution but violence, Act 3 Scene 4- Desdemona reveals that Othello is not capable of jealousy, but my noble Moor// Is true of mind and made of no such baseness//As jealous creature are, it were enough to put him to ill thinking, Act 3 Scene 4- Desdemona reveals once again that Othello is not capable of jealousy, I think the sun where he was born//Drew all such humours from him, Act 3 Scene 4- Othello questions Desdemonas virtue, Act 3 Scene 4- Othello reveals the importance of the hankerchief, if she lost it// Or made gift of it, my fathers eye should hold her loathed, and his spirits should hunt//After new fancies, Act 3 Scene 4- Othello reveals the magic of the hankerchief, Act 3 Scene 4- Emilia reveals that Othello may be jealous, Act 3 Scene 4- Emilia reveals that women are the victims of the desires of men, They are all but stomachs, and we are all but food// They eat us hungerly, and when they are full// They belch us, Act 3 Scene 4- Desdemona reveals that Othello has changed, illustrating the extent of his tragic downfall, My lord is not my lord; nor should I know him//were he in favour as in humour altered, Act 3 Scene 4- Desdemona defends her own right to speak, Act 3 Scene 4- Emilia shares her opinions on jealousy, It is a monster// Begot upon itself, born on itself, Act 4 Scene 1- Othello reveals his opinions about the affair, Act 4 Scene 1- Othello reveals that those who cheat are tempted by the devil, The devil their virtue tempts, and they tempt heaven, Act 4 Scene 1- Othello loses control of his speech, Act 4 Scene 1 Othello continues to lose control of his speech, Act 4 Scene 1 In a moment of dramatic irony Othello reveals that he has not been affected by words but in fact actions, Act 4 Scene 1- Iago reveals that his manipulation is succeeding, Work on.
